Research

My current and full CV is available here.

 

Publications

Books

Communicative Biocapitalism: The Voice of the Patient in Digital Health and the Health Humanities. University of Michigan Press, forthcoming 2017.

Edited books

Teaching Health Humanities. Co-editors Olivia Banner, Nathan Carlin, and Thomas Cole. Under contract, Oxford University Press.

Edited journal issues

Special issue on science and animation. Discourse: Journal for Theoretical Studies in Media and Culture 37, no. 3 (Fall 2015). Co-editors Olivia Banner and Kirsten Ostherr.

Peer-reviewed articles

“Immunizing the Social Network: Neoliberal Public Health and the ‘Troubled Teen’ in Digital Media.” Endemic: Essays in Contagion Theory, ed. Kari Nixon and Lorenzo Servitje, 95–120. New York: Palgrave Macmillan, 2017.

Structural Racism and Practices of Reading in the Medical Humanities.” Literature and Medicine 34, no. 1 (Spring 2016): 25–52.

“`Design in Motion’: Introducing Science/Animation.” Co-authored with Kirsten Ostherr. Discourse 37, no. 3 (Fall 2015): 175–92.

“`Treat Us Right!’: Digital Publics, Emerging Biosocialities, and the Female Complaint.” In Identity Technologies: Constructing the Self Online, ed. Julie Rak and Anna Poletti, 198–216. Madison: University of Wisconsin Press, 2014.

“The Postracial Imagination: Gattaca’s Imperfect Science.” Special issue on “Life,” Discourse: Journal for Theoretical Studies in Media and Culture 32, no. 3 (Spring 2011): 221–41.

“‘Sing now, O Muse, of the recessive mutation’: Interrogating the Genetic Discourse of Sex Variation with Jeffrey Eugenides’ Middlesex.” Signs: Journal of Women in Culture and Society 35, no. 4 (2010): 844­–67.

“‘They’re literally shit’: The Work of Masculinity in an Age of Waste Recycling.” Special issue on “Waste,” Iowa Journal of Cultural Studies 10­­-11 (Spring–Fall 2009): 74–90.

 Peer-reviewed articles submitted

“Disability Studies, Big Data, and Algorithmic Culture.” Accepted for Interdisciplinary Approaches to Disability: Looking towards the Future, ed. Mike Kent, Kate Ellis, and Rosemarie Garland-Thomson.

 

 

 

 

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